That means she has a vocal range of three octaves. She sits not even near the middle of the scale in terms of diversity of range. Two and three octave vocal ranges are very common. Among professional singers, even a four octave vocal range is very common. And that is just a sampling of the number of artists with a three-octave vocal range. It is not until reaching the list of five-octave vocal range singers that you hit the truly elite. Then you have mezzo-soprano , which sits in the middle and hits a wide range of low and high notes.
This is where Adele sits. Finally, the soprano has the highest vocal range, comfortably hitting all of the highest notes. That is because a lot of them use a technique known as falsetto where they are able to falsely strain their voice into a lower or higher octave. The best way to tell Adele is a mezzo-soprano is by how comfortably she sings from low to high and where it appears she is straining her voice.
A typical mezzo-soprano will have a vocal range from notes A3 to A5. Adele has a bit of a shorter range though. With mezzo-soprano being the most common female voice type, there are tons of famous mezzo-soprano singers.
Her ability to balance her chest and head voice via half-voice is consistent live and in-studio, [5] Ex. The bulk of her vocal problems stem from the demanding nature of her self-written repertoire, which relies heavily on chesty notes around tenor C.
She pushes these notes from the chest around A4 and above, rather than relying more on the muscles in her back and abdomen, which adds tension to her voice and increases the risk of complications. Even without hearing her, she often places her hand over her chest while singing, a sign that she feels tension around her sternum as the result of a shallow breath.
These various compensations for a lack of strong breath support also results in live performances being notably pitchy, with her notes often straying significantly from the center of the pitch. While these flaws might not deteriorate other voices, because of a rigorous touring schedule, these flaws are all magnified.
Duffy has been compared to Adele plenty of times, and while you are listening to Duffy it might not be that clear why this comparison even exists. Both singers have the same qualities, power, and emotional singing. The main difference between the two singers is that Duffy has a nasal sounding voice.
Their natural pitch is also different but for some songs, they are extremely similar. You have probably thought that you will only see female singers on the list, but Sam Smith has a very similar sounding voice to Adele. Both singers became famous for their emotional singing, and both of them can sing with a lot of power. Sam Smith is also a British singer just like Adele is, and if the two of them would ever make a collaboration together they would probably top all the charts.
Frances is not only a singer but also an established songwriter, she knows how to write songs that highlight her voice. She is also a mezzo-soprano, with a vocal range of B2—A5, and if you have ever listened to her song Only Love Can Hurt Like This you will definitely notice the similarities between the two singers.
Nathan Sykes is a British singer with a vocal range somewhere between G3 — F6. What makes Nathan Sykes so similar to Adele is the types of songs that he is singing and the emotions that he can project into the songs. Leela James is an excellent singer with some amazing qualities. Both of these genres require a lot of emotional singing, and this is where the similarities between the two singers begin.
Ella Henderson is relatively a new singer, although she has started to be compared to Adele fairly regularly.
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